{"id":138,"date":"2023-07-19T10:11:37","date_gmt":"2023-07-19T10:11:37","guid":{"rendered":"http:\/\/teatepulk.com\/?page_id=138"},"modified":"2023-08-10T06:21:30","modified_gmt":"2023-08-10T06:21:30","slug":"vagi-teosed","status":"publish","type":"page","link":"http:\/\/teatepulk.com\/en\/vagi-teosed\/","title":{"rendered":"V\u00e4gi teosed"},"content":{"rendered":"
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Sanctus praesens<\/em><\/strong><\/h1><\/div>

Idee: Marje Taska
Teostus: Villu Plink
2020-2021, h\u00f5be, paber

Teatepulk n\u00e4eb v\u00e4lja nagu vana k\u00e4sikiri, mis on m\u00f5lemalt poolt kokku rullitud, avatud on vaid kitsas pilu keskmisest osast, kus on ka v\u00e4ike tekst. Kuraatorite v\u00e4e kontseptsiooni \u00fchendav metafoorne objekt juhatab sisse n\u00e4ituse triloogia \u201eTeatepulk K\u00fctiorust Kadriorgu. V\u00e4gi. Vaim. V\u00f5im\u201c.

V\u00e4gi peitub hetkes \u2013 siin ja praegu. Selle tillukese objekti k\u00e4sikirjas on peidus nii minevik kui ka tulevik, n\u00e4htaval on ainult olevik, mis oma absoluutses v\u00e4es on lausa sakraalne. V\u00e4gi on sageli hoomamatu, n\u00e4htav neile, kes v\u00f5tavad vaevaks s\u00fcveneda. Imetillukeses aatomis on aga plahvatuslik j\u00f5ud.

Marje Taska<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Beginning<\/strong><\/strong><\/h1><\/div>

Video, 2021
1\u201929\u2019\u2019
Heli: Anna Hints
Video: Lauri Nagel

4. 01. 2020, varahommik. Kolm kuraatorit kogunesid K\u00fctioru Tammets\u00f5\u00f5ris, rituaalses v\u00e4epaigas, et p\u00fchitseda sisse \u201eTeatepulga\u201d projekt. Oli karge, aga udune hommik. \u00dchtlase halli  valguse sees v\u00f5is hoomata tuhandeid varjundeid, igal oma iseloom ja v\u00e4gi.

We were suppose to start with \"Force\" at the lightest time of the year in June 15 at Vana-V\u00f5romaa Museum, so that two years later we could arrive with force from V\u00f5rumaa, filled with spirit from the academic Tartu to Kadriorg, the centre of power in the capital city of Tallinn.

13. 03. 2020 the state of emergency and international pandemic was announced, the society was closed. Because of uncertainty of the situation, \"Force\" had to be postponed into the year 2021.

Reet Varblane<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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ELO LIIV<\/strong>
UP_YOURS<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h1><\/div>

\u00d6koloogiline viipekeel 001
installatsioon, 2021

Probleem pole selles, et maailmas on liiga palju inimesi, probleem on selles, et maailmas on liiga palju rumalaid inimesi. Inimkonna aastatuhandete pikkune pingutus looduse toiduahelast v\u00e4ljumise ning surma ja s\u00fcnni k\u00e4skijaks saamise nimel on paisanud meid \u00fchise keele ja lugemisoskuse kaoga dissonantsi, resonantsist v\u00e4lja. S\u00e4ilinud on k\u00fcll igatsus nautida ilusaid loojanguid, puhta ja puutumatu looduse rahu ning vaikust ja otsida lohutust, aga me tahame l\u00f5igata seda, mida ise ei k\u00fclva. V\u00e4gi, v\u00f5im ja vaim on kui v\u00f5lts ja kipakas kristallkonstruktsioon meie raiskamise, looduskeskkondade ja liigirikkuse h\u00e4vitamisega seotud igap\u00e4evas.

Teos on osa suuremast seeriast, kus kujutatakse kriitilist olukorda looduses roheliste k\u00e4tega edasi antud viipekeeles. P\u00fcsti on j\u00e4\u00e4nud vaid \u00fcks s\u00f5rm \u2013 see on meie kui isehakanud aednike eluviiside abil kujundatud, meie keele ja teadmiste oskustele vastav, k\u00f5igile arusaadava t\u00e4hendusega s\u00fcmbol: \u201eUp_Yours, Humans!\u201c.

Elo Liiv<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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IVO LILL (1953\u20132019)<\/strong>
Murdvalgus<\/strong><\/h1><\/div>

2005

\u00c4ra k\u00fcsi, kui kaua \u00fche skulptuuri tegemine aega v\u00f5tab. Vaid viivu \u2013 kogu minu senise elu …
Klaasi m\u00fcsteerium seisnebki selles, et uues milj\u00f6\u00f6s ja valguses alustab ta oma elu. Elu, kus k\u00f5ige olulisem on avatud meelega vaataja. N\u00e4gija, kes leiab aega s\u00fcvenemiseks ja j\u00e4relem\u00f5tlemiseks. Nii nagu kunsti m\u00f5istmiseks on vaja veidike algteadmisi, nii tuleb ka klaasi osata n\u00e4ha, sukelduda klaasi sisse, vaadata klaasist l\u00e4bi, kuid mitte klaasist m\u00f6\u00f6da \u2013 ja \u00fchel p\u00e4eval hakkab ta sinuga k\u00f5nelema.

Ivo Lill, Cool Glass, 2015<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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SILJA SAAREPUU JA VILLU PLINK<\/strong>
Daami portree. H\u00e4rra portree<\/strong><\/h1><\/div>

Luupiv video, 4\u201958\u2019\u2019
2014\/2021

Portreemaailma vaikelu ei paista esmapilgul segavat \u00fckski v\u00e4gi, kuid v\u00e4ikesed sisemised ja v\u00e4lised tegurid hakkavad vaikselt pilti m\u00f5jutama.

Silja Saarepuu ja Villu Plink<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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ANNA HINTS<\/strong>
K\u00f5nelused surnud vanaemaga. Unen\u00e4gu nr 26122020<\/strong><\/strong><\/strong><\/h1><\/div>

Heliinstallatsioon, 2021

Palun istu tugitooli, sulge silmad ja vaata unen\u00e4gu. Memme \u00f5petas mulle juba lapsena, et unen\u00e4od on keel, mille kaudu me saame ka p\u00e4rast ta surma suhelda.

Anna Hints<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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TERJE OJAVER<\/strong>
\u00dche jalaga k\u00fcndja<\/strong><\/strong><\/strong><\/strong><\/h1><\/div>

Silikoon, pol\u00fcuretaanvaht, tekstiil, kunstkarv, kips, muld, raud, 2020\u20132021

Naine k\u00fcndmas on metafoor naise v\u00e4ele, tema v\u00f5imele hakkama saada ja vastutada igas olukorras. Naisel v\u00f5ib olla murekoorem, f\u00fc\u00fcsiline h\u00e4da v\u00f5i vaimne tasakaalutus, kuid ta peab k\u00f5igega hakkama saama. Naine leiab endas lausa loomaliku j\u00f5u, mille ta on p\u00e4rinud oma esiemadelt.

Terje Ojaver<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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UKU SEPSIVART<\/strong>
Pelgupaik<\/strong>
Liba\u00fcrask<\/strong><\/h1><\/div>


Fotodokumentatsioon, 2021
Puit, 2021

Otsisin \u00fcksi olemise kohta: uuristasin huupi valitud paigas kuivanud puu t\u00fcvesse uru ja salvestasin t\u00f6\u00f6k\u00e4igu. Uuristust\u00f6\u00f6d tehes tajusin end justkui \u00fcraskina. Inimeste meelest on m\u00f5nede \u00fcraskiliikide, nagu ka paljude teiste looduslike protsesside, m\u00f5ju kahjulik, peaaegu nagu kriminaalne. See pani mind m\u00f5tlema, kas inimese m\u00f5ju looduskeskkonnale on s\u00f5bralikum, kui on meie arvates kahjulike liikide v\u00f5i n\u00e4htuste oma.

M\u00f5tisklusest kasvas v\u00e4lja teos \u201eLiba\u00fcrask\u201c.

Uku Sepisvart<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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SANNE SIHM<\/strong>
Unustatud m\u00f5tted<\/strong>
Kevade ootel<\/strong>
Vee tunnetus<\/strong><\/h1><\/div>


\u00d5li, s\u00fcsi, l\u00f5uend, 2015

Hakkasin n\u00e4gusid maalima, et j\u00e4\u00e4dvustada oma ema naeratus. Ka minu reisimuljed koosnevad n\u00e4gudest. N\u00e4od pakuvad v\u00f5imaluse toota taas s\u00fcndmusi, tundeid, m\u00f5tteid. Valgus, tuul v\u00f5i v\u00e4ike lookene omandavad minu puhul sageli just n\u00e4okuju. Kasutan n\u00e4gusid motiividena, sarnasus konkreetse inimesega mind ei huvita.

Sanne Sihm<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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LEN MURUSALU<\/strong>
Otsides Kuldajastut<\/strong><\/strong><\/strong><\/h1><\/div>


Videoinstallatsioon, 5\u201955\u2019\u2019
2011 \u2013 2021

Seeria \u201eOtsides Kuldajastut\u201c kujutab praegusaegset p\u00fc\u00fcdlust kuldse horisondi poole; igatsust millegi muu kui k\u00e4esoleva hetke j\u00e4rele, olles alati sammukese ees v\u00f5i taga antud ajahetkest.

Len Murusalu<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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PEETER LAURITS<\/strong>
Gordioni s\u00f5lm<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h1><\/div>


Luupiv animatsioon, 2\u201940\u2019\u2019
2013

Gordioni s\u00f5lm on kreeka m\u00fctoloogias n\u00f5iutud s\u00f5lm, mille lahtiharutamisest s\u00f5ltus Aasia valitsemine. Makedoonia Aleksander raius s\u00f5lme m\u00f5\u00f5gaga l\u00e4bi ja vallutas suure osa Aasiast.\u00a0T\u00e4nap\u00e4eva paradoksaalses geomeetrias on see populaarne motiiv, riimudes Boromea r\u00f5ngaste, Moebiuse lindi ja Kleisi pudeliga. Need on nagu rebendid selles kotis, mis ettekujutust meie maailmast koos hoiavad.

L\u00f5putu s\u00f5lme kujundi laenasin M. C. Escherilt, kolmem\u00f5\u00f5tmelise animatsiooni aitas teha Maido Hollo agentuurist Tolm.

Peeter Laurits<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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RAUL MEEL<\/strong>
Armuloitsud<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h1><\/div>


Digitr\u00fckk, 2021

Armuloitsud p\u00f5hinevad saksa, inglise, soome, vene ja eesti keeleruumis tuntud lembeluulele. Vene ja eesti keele puhul on kasutatud Theokritose ladinakeelse teose t\u00f5lget, inglise keeles on\u00a0 aluseks E. E. Cummingsi \u201eTulbid ja korstnad\u201c (\u201eTulips and Chimneys\u201c), saksa keeles Else Lasker-Sch\u00fcleri \u201eArmastust tooma\u201c (\u201eLiebe bringen\u201c) ja soome keeles Aale Tynni \u201eArmulinnud\u201c (\u201eRakkauden linnut\u201c).

Raul Meel<\/p><\/div><\/div>\n<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-138","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"admin","author_link":"http:\/\/teatepulk.com\/en\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"http:\/\/teatepulk.com\/en\/wp-json\/wp\/v2\/pages\/138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/teatepulk.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/teatepulk.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/teatepulk.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/teatepulk.com\/en\/wp-json\/wp\/v2\/comments?post=138"}],"version-history":[{"count":10,"href":"http:\/\/teatepulk.com\/en\/wp-json\/wp\/v2\/pages\/138\/revisions"}],"predecessor-version":[{"id":619,"href":"http:\/\/teatepulk.com\/en\/wp-json\/wp\/v2\/pages\/138\/revisions\/619"}],"wp:attachment":[{"href":"http:\/\/teatepulk.com\/en\/wp-json\/wp\/v2\/media?parent=138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}